18 July 2008 10:25 AM, PDT | From Studio Briefing | See recent Studio Briefing news
For moviegoers who might not regard dark as a favorite shade, this weekend offers an abundance of light at theaters, too. Writing in the Wall Street Journal, Joe Morgenstern compares his reaction to Mamma Mia! with his reaction to The Dark Knight. "During the early stretches of The Dark Knight," he writes, "eager anticipation gave way to resistance. During the first few minutes of Mamma Mia! I resisted the bombardment of good cheer, then surrendered almost unconditionally. Yes, of course this is fairly old-fashioned entertainment, but it's really, really entertaining." A.O. Scott in the New York Times found himself similarly torn. "You can have a perfectly nice time watching this spirited adaptation of the popular stage musical and, once the hangover wears off, acknowledge just how bad it is. ... If you insist on folding your arms, looking at your watch and defending yourself against this mindless, hedonistic assault on coherence, you are unlikely to survive until the end credits (which may, by themselves, kill you all over again). Surrender, on the other hand, is easy and painless. It's Greece! It's bellybuttons! It's Meryl Streep! It's Abba!" Roger Ebert in the Chicago Sun-Times remarks that he saw the original stage version and didn't think much of it then, even though it went on to become one of the biggest musical hits of the decade. "So here's the fact of the matter. This movie wasn't made for me. It was made for the people who will love it, of which there may be a multitude. The stage musical has sold 30 million tickets, and I feel like the grouch at the party." He has company. Michael Phillips, the Chicago Tribune critic, says that he's seen the stage version of Mamma Mia! three times. "It's disappointing, then, to see the film version of the stage hit turn out this way -- not lousy, but pushy." Lisa Kennedy in the Denver Post comments that the movie "too often feels like a souvenir program: something to revive the feelings you had watching the stage performance." And Michael Sragow in the Baltimore Sun comments that the movie "is like a party where everyone is so desperate to have a good time that it makes you miserable."
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