| Photos (see all 3 | slideshow) | Videos |
| Ingrid Bolsø Berdal | ... | Jannicke | |
| Rolf Kristian Larsen | ... | Morten Tobias | |
| Tomas Alf Larsen | ... | Eirik | |
| Endre Martin Midtstigen | ... | Mikal | |
| Viktoria Winge | ... | Ingunn | |
| Rune Melby | ... | Geir Olav Brath | |
| Erik Skjeggedal | ... | Young Geir Olav Brath | |
| Tonie Lunde | ... | Geir Olav's mother | |
| Hallvard Holmen | ... | Geir Olav's father |
Directed by | |||
| Roar Uthaug | |||
Writing credits | ||
| Thomas Moldestad | writer and | |
| Roar Uthaug | story & | |
| Martin Sundland | story | |
| Jan Eirik Langoen | (idea) & | |
| Magne Lyngner | (idea) | |
Original Music by | |||
| Magnus Beite | |||
Cinematography by | |||
| Daniel Voldheim | |||
Film Editing by | |||
| Jon Endre Mørk | |||
Casting by | |||
| Celine Engebrigtsen | |||
Production Design by | |||
| Astrid Sætren | |||
Makeup Department | |||
| Maxine Blystad-Collins | .... | hair stylist | |
| Dorte Pedersen | .... | assistant makeup artist | |
Art Department | |||
| Krzysztof Adamski | .... | painter | |
| Wojtek Adamski | .... | painter | |
| Kjell Arne Carlsen | .... | construction manager | |
| Martin Gant | .... | propmaker | |
| Øyvind Grev Møgster | .... | construction foreman (as Øyvind Møgster) | |
| Kristin Günther | .... | storyboard artist | |
| Pål Holth | .... | painter | |
| Tord Moberg | .... | assistant decorator | |
| Peter Mydske | .... | painter | |
| Thomas Nes | .... | set dresser | |
| Astrid Sætren | .... | set designer | |
| Åsmund Stemme | .... | property master | |
| Tord Moberg | .... | carpenter (uncredited) | |
Sound Department | |||
| Roy Fenstad | .... | sound editor | |
| Gunn Tove Grønsberg | .... | dialogue editor | |
| Eirik Ingebricson | .... | foley recordist | |
| Eirik Ingebricson | .... | sound effects editor | |
| Tomas Naug | .... | boom operator | |
| Tomas Naug | .... | sound | |
| Mads Olsen | .... | sound mixer | |
| Christian Schaanning | .... | sound re-recording mixer | |
| Christian Schaanning | .... | supervising sound editor | |
| Gisle Tveito | .... | dialogue re-recording mixer | |
| Erik S. Watland | .... | foley artist | |
| Erik S. Watland | .... | sound effects editor | |
Special Effects by | |||
| Morten Borik | .... | special effects photographer | |
| Thomas Foldberg | .... | special effects | |
| Morten Jacobsen | .... | special effects | |
| Thomas Nes | .... | special effects technician | |
| Thomas Steen | .... | special effects supervisor | |
Visual Effects by | |||
| Kasper Bræmer-Jensen | .... | software engineer | |
| Jeppe N. Christensen | .... | visual effects supervisor | |
| Jimmy Max Christensen | .... | software engineer | |
| Martin Gardeler | .... | 3D artist | |
| Martin Gardeler | .... | visual effects assistant supervisor | |
| Sascha Alexander Haber | .... | digital compositor | |
| Sascha Alexander Haber | .... | visual effects: title sequence | |
| Thomas Hansen | .... | 3D artist | |
| Thomas Hansen | .... | digital compositor | |
| Rikke Hovgaard Jørgensen | .... | visual effects assistant | |
| Tim Kjær Lange | .... | digital compositor | |
| Alfred Lindahl | .... | visual effects research | |
| Lucas Pigliacampo | .... | 3D artist | |
| Lucas Pigliacampo | .... | matte painter | |
| Eric Westphal | .... | digital compositor | |
Camera and Electrical Department | |||
| Even Birkeland | .... | aerial camera operator | |
| Philip J. Borgli | .... | second assistant camera | |
| Christen Kenneth Gran | .... | rigger | |
| Olav Haddeland | .... | gaffer | |
| Karsten Heidar | .... | electrician | |
| Chris Karlstad | .... | rigger | |
| Thomas Løberg | .... | still photographer | |
| Thor Erik Løkken | .... | gaffer | |
| Mark Mavrinac | .... | grip | |
| Nicolay Poulsen | .... | director of photography: second unit | |
| Pål Ulvik Rokseth | .... | first assistant camera: second unit | |
| Peter Topsøe-Jensen | .... | first assistant camera | |
| Stig Tvenge | .... | best boy electric | |
Costume and Wardrobe Department | |||
| Ami Gren | .... | costume assistant | |
| Tina Haagensen | .... | costume assistant | |
| Jon Lundemoen | .... | costume assistant | |
Editorial Department | |||
| Helge Billing | .... | assistant editor | |
| Andrzej Kiwala | .... | color timer | |
| Liv Risvaag | .... | colorist | |
| Kristian Sinkerud | .... | post-production coordinator | |
| Thomas G. Trælnes | .... | assistant editor | |
Music Department | |||
| Christian Schaanning | .... | music editor | |
Other crew | |||
| Niklas Sebastian Alveberg | .... | production assistant | |
| Gudrun Austli | .... | production coordinator | |
Thanks | |||
| Espen Egeland | .... | thanks | |
|
|
|
|
|
| I Still Know What You Did Last Summer | The Funhouse | Halloween | Kucch To Hai | Last Holiday |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb Norway section | Add this title to MyMovies |
What exactly can I say about FRITT VILT that hasn't been said already. Well for starters, in a world overdosed on allegedly scary slasher movies this Norwegian film actually delivers with a terrifying atmosphere and genuine suspense. It's an old and tried storyline, take five teenagers and place them in an isolated location, this being a long abandoned hotel with a violent killer on the loose inside. However, what differentiates FRITT VILT from the rest of the pack is it's sharp direction by Roar Uthaug who manages to keep the same old clichés of the genre interesting. He does this mainly through the characters. Here we have five friends who emote a sincere affection for each other and for this reason we grow to like them. Unlike most other slasher movies where the characters are cardboard cut-outs simply used to increase the body-count and showcase gory effects these characters drive the story along and all have a purpose within the movie that serves the plot. So when we watch them die it becomes upsetting and genuinely disturbing. In particular the first murder is increasingly harrowing and while watching I felt a terrible pity for the person. Another reason it succeeds is the fluid cinematography by Daniel Voldheim who paints each shot with atmospheric lighting and shadow so the darker scenes generate true claustrophobia and tension. The soundtrack by Magnus Beite is wonderfully haunting, moving and terrifying while the performances by all involved are incredibly accurate, particularly Ingrid Bolso Berdal as Jannicke who provides a compassionate heroine whom we quickly grow to love and in the end we truly feel her anguish and pain. This is an outstanding movie within the slasher genre and a sterling example of Norwegian horror.