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War, Inc. (2008)
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Overview
Tagline:
When it comes to war...America means business morePlot:
A political satire set in Turaqistan, a country occupied by an American private corporation run by a former US Vice-President (Aykroyd)... more | full synopsis (warning! may contain spoilers)Plot Keywords:
moreUser Comments:
"...sh-t happens" moreUS Showtimes:
(register to personalize)Cast
(Credited cast)| John Cusack | ... | Brand Hauser | |
| Joan Cusack | ... | Marsha Dillon | |
| Marisa Tomei | ... | Natalie Hegalhuzen | |
| Hilary Duff | ... | Yonica Babyyeah | |
| Ben Kingsley | ... | Walken | |
| rest of cast listed alphabetically: | |||
| Dan Aykroyd | ... | The Vice President | |
| Ned Bellamy | ... | Zubleh / Ooq-Yu-Fay Taqnufmini | |
| Velizar Binev | ... | German Businessman | |
| Shirly Brener | ... | Hauser's Wife | |
| Marc Casabani | ... | Various (voice) | |
| Ben Cross | ... | Medusa Hair | |
| Doug Dearth | ... | Geoff | |
| Itai Diakov | ... | Boy | |
| Georgi Gatzov | ... | Soundman | |
| Nick Harvey | ... | Preacher | |
| John McLaughlin | ... | Himself | |
| Lyubomir Neikov | ... | Omar | |
| Rachel O'Meara | ... | Implanted Reporter | |
| Velislav Pavlov | ... | Video Guy #2 | |
| Bashar Rahal | ... | Video Guy #1 | |
| Joost Scholte | ... | Cashier | |
| Stanimir Stamatov | ... | Posse Guy | |
| Davorka Tovilo | |||
| Sergej Trifunovic | ... | Ooq-Mi-Fay Taqnufmini | |
| Montel Williams | ... | GuideStar (voice) | |
| George Zlatarev | ... | Director | |
Additional Details
MPAA:
Rated R for violence, language and brief sexual material.Parents Guide:
View content advisory for parentsRuntime:
107 minCountry:
USAColor:
ColorAspect Ratio:
2.35 : 1 moreCertification:
USA:RMOVIEmeter: 
Fun Stuff
Trivia:
The Tamerlane corporate gift bag contains an autobiography by "Oh, you know who," entitled, "How I Conquered the World and Dealt with Issues with my Father." moreGoofs:
Continuity: When Brand Hauser exits the building-ruins after rescuing Natalie Hegalhuzen you can clearly see him putting away one of the two pistols, namingly his right one, and waving with his left arm. The very next shot shows him putting away both pistols, his right, then his left. moreQuotes:
GuideStar: When you see something that looks like a frozen gallbladder, that's Greenland. moreSoundtrack:
ABOUN SALEHOUN moreFAQ
Is this movie based on a novel?How much sex, violence, and profanity are in this movie?
A NOTE REGARDING SPOILERS
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Joshua Seftel's first film - a satire of memorable proportions - is about just as the title suggests: The corporations effect on War.
The film is about a mercenary (John Cusack) traveling to Turaqistan (not a real country, fyi) to help the American government 'get their message across' to Turaqistan's leaders. He meets a reporter (Marisa Tomei) and we all know what will ensue with a lonely man + a hot reporter. Somewhere in the mix, a pop star named Yonica Babyyeah gets thrown in. As Yonica is marrying one of Turaquistan's most important people (a son of the president), a subplot is created where the mercenary must watch over this star, well, somewhat. The film starts off with a lonely Cusack in a bar; no more than fifteen seconds later, the film hooks you. With it's amusing and intriguing insight on terrorism and politics, the film's running time blows by you. The film has a lot more action than I expected, with the occasional scene of war, well choreographed fights and just sporadic scenes of murder. Though the story isn't much deep, the simplicity of it all makes the film perfect for both the common man and movie critics alike.
In the final act of the film, the simplicity of it all turns very hostile and jumbled. I thought it was executed very well, but other may disagree, and I could understand why. Twist after twist is what the ending is all about, and like most films, it is a true hit/miss situation. Regardless, the three writers on the film (Mark Leyner, Jeremy Pikser & John Cusack) did a fantastic job creating a realistic and entertaining satire on today's situation overseas.
Joshua Seftel does an excellent job insuring the film's integrity; not reducing the material to the most redundant of films (which I was afraid would happen). Seftel crafted the film as perfectly as one could: he created a vibrant atmosphere, one that is both examines harsh reality and cartoonish falsities; - contrasting them perfectly - as well as making the film feel as if you were watching it all. Seftel really gets you involved in all of the action and it pays off completely. No missteps here. Hopefully, he takes on more directorial jobs, for he is one director to look out for.