Loveless, jobless, possibly terminally ill, Frank has had enough of the downward spiral of America. With nothing left to lose, Frank takes his gun and offs the stupidest, cruelest, and most repellent members of society. He finds an unusual accomplice: 16-year-old Roxy, who shares his sense of rage and disenfranchisement. Written by
Tom Kenny, credited as playing one of the office staff, is also the voice of various announcers throughout the film. See more »
When Roxy finds Frank's motel room and she's inside the suit bag daring Frank to commit suicide, her hair band is falling down, but in the next cut it is already fixed, although her arms are inside the bag (so she couldn't fix it herself). See more »
I only wanna kill people who deserve to die.
You know who we should kill?
People who use rockstar as an adjective. As in rockstar parking.
People who pound energy drinks all day.
People who use the term edgy, in your face, or extreme.
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The character that tries to buy Roxy at the diner is listed as "The Pancake Eating Pedophile". See more »
I saw this movie's premiere at the Toronto Film Festival. I loved it. Bobcat Goldthwait has given us a hilarious comedy that perfectly satirizes our self-centred, celebrity-obsessed, uncritical age. Throughout the dark comedy Joel Murray delivers a perfect performance as one of the last thinking men, who has grown weary of life and society. In between the action and the comedy, Joel Murray's character delivers scathing indictments of society that had the Toronto audience break out into spontaneous applause. Besides being hilarious, this movie is really an interesting exploration of the insensitivity and thoughtlessness of modern popular culture. This movie is the antidote our "reality show," celebrity-obsessed, know-nothing-and-proud-of-it culture. The film's outlandish violence perfectly captures Horace Walpole's epigram, "This world is a comedy to those that think, a tragedy to those that feel." Unfortunately, as the movie points out, few people are now capable of either thinking or feeling.
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